Reading’s what sets the great and the good apart. The result is an eclectic and timeless collection of writings, from ancient times to today, including contributions from renowned poets such as Sandra Cisneros, Yusef Komunyakaa, Stephanie Burt, Vanessa Kisuule, Warsan Shire, Kyle Dargan and Michael Faudet, amongst many more.”, From the publisher: “Ralph Steadman: A Life in Ink is the definitive career retrospective of this revered and provocative U.K. artist. “Based on interviews with currently and formerly incarcerated artists, prison visits and the author’s own family experiences with the penal system, From the publisher: “A larger-than-life figure in the design community with a client list to match, Paula Scher turned her first major project as a partner at Pentagram into a formative 25-year relationship with the Public Theater in New York. Keep things fresh by reading books that aren’t necessarily academic or instructional. Is your design library ready for Logo Modernism? Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Renowned for his collaborations with iconic American writer Hunter S. Thompson, he formed an unlikely duo that created ‘Gonzo’ journalism. Each colorful spread chronicles defining moments in history through photographs and artifacts.”, From the publisher: “Chinatown Pretty features beautiful portraits and heartwarming stories of trend-setting seniors across six Chinatowns. Thinking With Type is the latest edition of a classic typography book designed to help anyone who works with type – designers, but also writers and editors – to get a better handle on how to use it on a variety of mediums, from print to the screen. It also contains profiles of influential designers, and case studies of significant logo projects, like the Mexico Olympic Games of 1968. “Based on interviews with currently and formerly incarcerated artists, prison visits and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. If you’ve spent any time studying graphic design, you’ll have come across grid systems as a tool for organising layout and content. The curated selection here reflects this era’s printing material, including stock pictorial cuts, filigree borders and cartouches galore.”, From the publisher: “Arielle and Joann Eckstut, authors of The Secret Language of Color, offer a thorough, readable and highly visual exploration of the science of color. Many of the cartoons appear in print for the first time.”, From the publisher: “This collection of bad behavior from acclaimed artist and illustrator Brian Rea will make you cringe, snicker and compulsively turn the page for more. In this newly added section, we’ve put some more books that you’ll find inspiring. It does exactly what it says it does – it combines pairs of. We researched the best instructional drawing books for beginners. Grid systems aren’t really a design topic you can skip, so do yourself a favour, and read this when you can. A practical, easy-to-read handbook, Thinking With Type is the perfect blend between theory and practical application. Szpajdel takes inspiration from a wide and creative variety of sources, including Art Deco and Art Nouveau. In short: Designers love Logo Modernism as an inspirational deep-dive into modernist logos. PRINT (founded 1940) is where creative people gather to inspire and build design dialogue. This Is Not a T-Shirt takes a fresh look at fashion, design, and brand. "Instructional Design is defined as “a systematic process that is employed to develop education and training programs in a consistent and reliable fashion” (Reiser, Dempsey, 2007). From the publisher: “Airline Visual Identity 1945–1975 reconstructs the visual language of 13 pioneering airlines at different points in time. From the publisher: “In the mid-1970s, designer Takenobu Igarashi began a prolific, decade-long exploration into the possibilities of three-dimensional typography. More of a treatise than a workbook, it’s nonetheless a must-read on any designer’s list. Perforated pages make them easy to tear out and hang or use as signs at marches and demonstrations, because it’s not just a book to flip through. If you want to succeed, you need to know what they’re saying. Adrian Shaughnessy, a self-taught, freelance graphic designer himself, saw this gap and decided to fill it. This is a landscape painting guide for oil painters that is beautifully illustrated with a variety of landscape paintings by professional artists. Müller-Brockmann’s handbook is considered by many to be a seminal work on the subject but, despite being both minutely detailed and a little dense (“definitely written by a German in the 1960s”, commented one reviewer wryly), it is actually pretty accessible even for inexperienced designers. His first experiments with lettering—heavily influenced by the avant-garde typography of the 1920s—appeared on magazine covers, posters and record sleeves. Takenobu Igarashi A–Z offers a comprehensive guide to Igarashi’s experimental typography, featuring not only his most celebrated works, but also a first look at archival plans, drawings and production drafts for his iconic designs. And what can we learn from the way these experts think that can help us make decisions in our own lives? 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